Alvar Alto Design Theory Paimio Sanatorium

The movement of modernisticism and leader of bringing computer architecture back to the military personnel home plate that once was, Alvar Aalto is now an architectural inspiration to us all. Aalto did non ingestion his architecture as a learning tool but more(prenominal) as a gesture toward the emotional and physical call for of man. His architecture was meant to enrich the lives of those it served. Aalto foc habitd on context in site in relation to the human body. Forms, light and shadow were inspired by the Finnish forests Aalto grew up near.When he was a child he made drawings of the landscape painting that influenced his later built projects in their relationships to horizons and perpendicular connections, sections and ground plan. He brought us expressions that involved form, light, and color, along with many other attributes all over the military man including the Viipuri Library, the Paimio hellhole, and even Mt. Angel Library here in Oregon. Functional populate Functional Design The meanss in the patients wing are put on the north placement of the corridor.By siting the entourage on one side only, Aalto was able to bring earthy light into the corridor and bedevil the patients the feeling that they were in control of the space. Aalto studied the angle of the sunlight in conjunction with the heat energy system. Sun blinds were fixed outside the windows to cut d withstand got solar gain. The unit of measurement building was designed in either aspect to make the patients lying-in tolerable and to assist in their healing. Their rooms were designed with a horizontal individual in mind.The source of heat comes down from the hood, one wall was parenthoodd in absorbent insulation to make acoustics more restful, and the window frames in the rooms were timber to reduce condensation and be warmer to touch. the washbasins were designed to run silently and had to be hygienic and easy to clean (unsuccessfully in practice). The pipe work wa s concealed in the walls, whereas prior to this pipes were usually sur face-fixed. Aalto had his own ideas about the ceilings for example. The ceiling of the room should be the colour of the sky, The lighting came from a wall mounted uplighter out of the patients sight where it was diff recitationd throughout the room. Since the ceiling was calico in darker tones, the ceiling area reflecting the light had to be painted a lighter one. The door handles were created with as much methodical help to distributor point. They were designed so coat sleeves or pockets couldnt get caught and they had rounded edges in case patients should happen to knock into them. Rose cellar In the Sanatorium death was an everyday reality, so naturally there was a dead room on the site.The Rose Cellar, as the mortyary was called, disappeared into the terrain and took its name from the roses covering the mound of reality in front of it only the holes drilled into the wooden door in the form of a cross gave a clue as to the use of the building. The mortuary is a light, whitewashed concrete vault lit by a crown light. A black-painted wooden catafalque rests on the brick-red floor and the air division that divides the swerved vault has an abstract painting by Aalto and the Turku artist Eino Kauria. Viper third house The nurses home, known as the hall of vipers, was designed and built in 1060-63.It is a two-storey, four-part building, with individually part joined to the next by an drawn-in linking element. It de move from Aaltos 1930s buildings primarily in that, instead of a flat roof, it has a pitched roof and the detailing does not focus nearly as much on metal. The name is derived from the fact that the building wriggles gently across the terrain. Stairs terbium was treated with fresh air, so that sun beds suitable for external use were needed. They emerged as the result of some specialist design work, as did the winter sleeping bags made of sheepskin that were part of the sun beds.The only inside(prenominal) of the building is pervaded by health giving light, most powerfully in the stair cases, where sun spills down huge areas of glazing. Where the effort of climbing was collective as part of the healing process. Tree section Aalto believed that the health of every person depends to a great extent on his submission to the judicial admissions of spirit This came from the fact that medicine was not advanced enough to heal alone, so healing came from existence take out of the crowded, disease infested cities where the sun, space and breeze of the country would help heal.The flat finnish landscape made a stepped section unsuitable, the roof terrace is then used for treatment for spend and winter a same stretching the entire length of the patient ward, where the healthier patients could go and take in the spectacular views across the vast forest, each sun-deck beneath was cantilevered to take in the sunshine, like the branches of a tree. Organism fo r improve The health of every person depends a great extent on his submission to the condition of nature.The outer buildings are module starting with the calculate physicians house they grow and multiply like they are a dividing existence until you get to the patients ward and the rooms are almost exponential in comparison. The building is designed to be a organism for healing, each room is catered to the patient with the use of sun, greenery, and space it helps them in their healing process. Forest The Patients rooms looked out over an unhabited forest which is visually brought into the building as posts, vertical lines, windows and columns.The pine forest was a powerful source of healing and hope for the finish patients, it is also therapeutic to the community whos collective soul deeply embraces the protective woods and trees. It is hard to imagine the impact the sanatorium must have had on patients. The dedication to serving their needs manifested in every detail and the opt imistic uplifteing fiber of its light filled spaces. Symmetry as part (medical and proper man) vs. Asymmetry as a whole (natural and living) The plan of the building is laid out in different sections.Each section is symmetric or on a central axis. The building as a whole does not have a central axis but is unsymmetrically in balance. Sort of like a human body that is being treated for a certain condition. The focus is put on parts of the physical body, but as a whole the body makes up a person or a human being. Technology is manmade human creating a function from natural sources Aalto liked to use materials in their natural pronounce in his buildings. He also liked to take wages of how modern technology could assist the daily needs of the raft in his buildings.In the loony bin, he created manmade elements made from elements close to their natural state as a gesture towards to needs of the patients, doctors, and nurses using the spaces. Plasticity and Fluidity (like natures total forms) throughout the Paimio Sanitarium, certain spaces have a plastic form that is almost like a landmark in that area of the building. These forms seem to mimic the organic forms that can be found in nature like the curve of the terrain on the hill, or the edge of the tree creating a fluid line that separates its branches from the sky.They are found in the central stair of the tower and the overhang above the entrance to the building. Facing the Sun During this time there were not any antibiotics or specialised medicines for the treatment of tuberculosis. The best treatment for the condition was dry climate, greenery, fresh, clean air, and a grant of sun. With having a south liner slope it makes sense to position the patients rooms and the roof terrace to face the sun. A Landscape representing time modern, ancient, and current. This picture really represents a lot of different times in the culture of the area.The pastures and fields in the cozy up represent the current lives of the citizens of Paimio they are healthy, providing resources and going about their daily lives. In the middle ground there is the forest- it is natural growth and holds a shield of history in the culture of the people. Then, rising above it all is the Sanitarium a modern piece of architecture at the time that unperturbed stands as a landmark. Architecturally, it was a glimpse into what would be in the prox and functionally it was a humble reminder of the hard times.Conclusion. The solution Aalto created for closure the needs of people to fit in with their comfortable natural state while gaining the positive effects of the industrialization at the time was to give people the creative freedom to make their spaces unique to themselves and their needs. He cute people to remember their individualism. Finding the potential value in humanness and emphasizing their common needs became Aaltos main purpose in architecture in his later years. This can be seen in his public bu ildings as well as in his churches and houses.Aalto believed that people should live a elective and individualistic lifestyle. He called for the humanization of all things including his architecture. It was important to address how humans move and travel through space and also how they inhabit it. The needs of the user were considered. In all of his projects, Aalto stressed meaning of the project to the guest as well as to himself. He looked at the perspectives of the users and found ship canal to enhance those perspectives, for example the chairs in the Sanatorium were designed to make it easier for the patients to breathe.His architecture was meant to enrich the lives of those it served. In the Paimio Sanitarium in particular, Aaltos attention to psychological spaces enhancing the quality of life for the users, relation to the other buildings in the area, having a form that follows the function, and specific detail in the technical equipment made it all come unneurotic to create a well designed approach to the site and the people that dwell within it in a beautiful piece of modern architecture.